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Friday, January 30th

David Parker's Journal: 8

Music: David Grisman
Mood: Hungry

I left Border’s with a David Grisman Quintet CD, buzzing with a powerful blood high.

A decade before in Chicago – a lifetime ago – I had developed an unhealthy attraction for cocaine. I supposed there are many reasons people get hooked on drugs. Deep-seated unhappiness. Overpowering guilt. Anxiety. An addictive personality. Bad luck. Bad company. Stupidity, either overall or in the way one deals with life. I don’t know which of those applied to me. Perhaps they all did, in some respect.

Cocaine has no effect on a vampire. Neither does alcohol nor any other mind-altering substance. The vampire’s system is too powerful. There is no poison the vampire’s super-efficient body cannot process as quickly as it is ingested.

Blood is a different story.

The feeling you would get from snorting enough good coke to kick-start a dead horse’s heart is nothing compared to exhilaration a vampire experiences after drinking blood. I think it must be a little like why sex feels good. God (yes, I do believe in the Creator) made sex pleasurable since, along with eating and drinking, it is essential to perpetuating life. The greater the imperative, the bigger the carrot at the end of the stick.

I do not know whether God had a hand in creating vampires. Some would say only the Devil could be responsible for designing a being comprising such a contradictory collection strengths with one overwhelming weakness. But in that respect, the vampire is just like man, from whom the vampire arises, emerging from a dark cocoon as a moth with one peculiar need.

* * *

Leaning back in the car seat, I closed my eyes and let the power roll through me. I was still at that plateau, after satisfying the Hunger, where I felt as if my body were streaking through the cosmos, flying through galaxies and nebulae at one hundred times the speed of light. It was as if, for a few brief minutes, I was able to see enough of the vast workings of the Universe to understand a small part of what it all means.

The Audi filled with light when a car pulled up behind and parked. I opened my eyes and fumbled with the CD still in my hands. Two girls walked by my door. I felt the familiar tug of desire, smelling their blood’s subtle perfume. I forced myself to resist the impulse to get out of the car and take them, there in the parking lot.

The cellophane came off the CD, but I had trouble getting the narrow strip of tape that holds the jewel case closed. Some things are as maddeningly difficult for vampires as they are for humans. If Satan had a hand in creating anything, it was the way CDs are hermetically sealed.

Once the music was pouring from the speakers, I turned the car onto the boulevard and pressed the gas pedal to the floor, enjoying the way the acceleration pressed me back against the seat. I drove aimlessly for nearly an hour, nowhere to go, nothing to do, enjoying the afterglow of the blood, the music, the drive. Tatiana, William Benton’s book, and the weird nexus between Freemason symbology and the Vampiri momentarily forgotten.

The blood high began to fade.

I suppose I knew all along in the back of my mind that I wanted more blood, although I had already taken what I needed to slake the Hunger for the next two weeks. The Illuminati take a vow to feed no more often than is absolutely necessary. Me, I have always been a sensual creature, even when I was human. While I am loathe to harm people – and how much does it hurt an attractive young woman to surrender to me enough blood to fill a wine glass or two? – I sometimes find it impossible to deny myself the elixir that gives such pleasure. My weakness had cost me my affiliation with the Illuminati, but then perhaps I was never really meant to belong to the brotherhood of vampires. Some like the crowd; I prefer more solitary pursuits. I have never been a joiner.

It was, I thought, a good night for a little night music, and for a little more blood.

I turned the Audi toward the river, the fog lamps slashing through the swirling mists as the road began to plunge down over the bluff, toward the downtown and whatever pleasures the night had yet to bring.


Posted by Michael on 01.30.04 @ 12:02 PM CST [link]


Thursday, January 29th

Back from the Dead

Music: Opus 51
Mood: Amused

I’ve been buried alive beneath a mountain of work, woe and warfare. But after a gritty week, I see the clichéd light at the end of the tunnel – unless what I’m staring at is actually the headlight on an onrushing locomotive.

Accept this by way of apology for my failure to blog the past few days. Maybe what I need is a bottle of Blog Viagra. I haven’t received any offers for Blog Viagra in the tidal wave of spam that washes into my e-mail in-box every time I log on. No doubt it’s only a matter of time.

* * *

Add to the list of things that annoy me Microsoft Word’s proclivity for turning three asterisks into bullets when you type them into copy and hit the return key. If anybody knows how to turn off this valuable automation feature, please enlighten me.

I switched to a Mac a year or so back, when my trusty Compaq laptop began spitting up blood and proved unable to stand without the assistance of an aluminum “walker.” It was a risky choice, I know, but I haven’t regretted it in the least. This iBook is the most stable computer I owned since … well, since I owned a Mac, back in the Paleo Macintosh era, before the advent of Windows 95 and triumph of Microsoft’s commissars.

Freedom from a Windows OS means my computer only gets rebooted when I want to reboot it. It has never – NEVER – crashed. I believe OSX is based on Linux, although it is so stable that they could call it Snoopy for all I care. IBM has been running commercials promoting the open platform, featuring a little boy talking to Lavern and Mohammed Ali. I don’t really get it, but obviously I noticed the ad, so in that respect it succeeded more than most.

Apple has come out with its own browser and email program, which are, ahem, free. I use them and they’re great. And iTunes is without parallel in regions of the earth enslaved by Windows. I did buy MS Office OSX, figuring I’d be burned at the stake for a heretic if I didn’t. At this point, I’m waiting for Apple to bring out a Word program so I can be just that much more free from the evil Microsoft empire. The only program that ever gives me any grief is Word. I'd be happy to be free of it.

If your reading this, Steve Jobs, let’s get on the stick.

* * *

I stumbled onto a defunct website today, looking for something else, and found one of the funniest things I’ve read in a long time. The setup is there’s a guy named Will Leitch, who had a job for a time summarizing newspaper articles for one of Steven Brill’s sites. Almost as soon as he landed the job, he started getting blistering critiques from a reader about the quality of his writing, or rather the lack there of. Eventually, he decided to reprint the criticisms as part of another column he wrote, called “Life as a Loser.” Excerpts are below. For the whole thing, visit the site; the url is at the end.

“I am forced to conclude that you are plainly not up to the modest task at hand. The way your words clunk and wheeze across the screen suggests that you are hobbled by a serious mental impairment. If this is incurable, I will recommend to your editor that you be taken round back and shot. If something can be done, please activate your benefit package and seek help.

“Reading you is evocative of great pity. Not a compassionate pity, as I felt when those iguanas were burned alive in a Fresno zoo some months back. No, this is a pity informed by contempt…

“How long exactly did it take you to walk to Manhattan from Appalachia, and did you make the walk barefooted?…

“Please acclimate yourself to your new surroundings, you bumbling savage. Register for a primer on the English language as used outside the Ozarks; familiarize yourself with the mechanics of brushing ones teeth, as well as all the other toilet habits in common use in cities (I’d wager you are innocent of most); learn that anyone of any refinement whatever capitalizes “Scotch.” On this last point I am particularly sore, though it is fully understandable that one whose only experience with whiskey was helping uncle Jeb rebuild his illicit still should stumble so fearfully…

“Were you nursed on lead paint, you numskull? Perhaps you could be so kind as to provide me with a translation of today’s update from the Ebonics…

“Was I correct last week in speculating that you are from the hills of West Virginia? It must have been some place at least as stifling to a Refinement of the upperworks. Perhaps you were raised in a Romanian orphanage? A cave in the Cappadocian valley? An old storage shed on a derelict Port Arthur, Texas, industrial site?…

“Coming up with the decisive explanation for your stupidity is a task at least as daunting as attempting to come up with the decisive reason for human suffering (which your writings, of course, contribute to in large measure)…

“I entered both your name and the magazine’s into Google, and was returned a link to Ironminds, a site you apparently edit. (What an awful looking site, Mr. Leitch. Does the Web development team work on Commodore Vic 20s? Please change the vacuum tubes, servos, and relays on the Sperry Univac hosting that terrible site.) The writing is of a familiarly poor quality, but I’m digressing…"

http://www.ironminds.com/ironminds/issues/010321/loser.shtml

“Life as a Loser” apparently is alive and well these days at:

http://www.getunderground.com/underground/author.cfm?Contributor_ID=55

Selah.

Posted by Michael on 01.29.04 @ 02:37 PM CST [link]


Monday, January 26th

Ravenswood

Music: Barely House Band: Rough Mix

RavensWood (30k image)

The logo from one of David Parker's favorite wines.


Posted by Michael on 01.26.04 @ 04:53 PM CST [link]


Friday, January 23rd

David Parker's Journal: 7

Mood: Grim

* * *

“Once upon a midnight dreary, while I pondered, weak and weary,
“Over many a quaint and curious volume of forgotten lore,
“While I nodded, nearly napping, suddenly there came a tapping,
“As of some one gently rapping, rapping at my chamber door.”

-- Edgar Allan Poe

* * *

It was freakishly warm for winter. A front had moved through during the night, blanketing the area with an overlay of warm air. The morning dawned half-dark with haze. The fog stayed on through the middle of the day, thickening, the inversion stalled over the Mississippi. At twilight, a cold drizzle began to fall.

I’d taken the book from the Olde Curiosity Shoppe when I left it the night before. Maybe I should say I “stole” the book, though I left a $100 bill behind in compensation. No doubt the owner came in to open the shop, found the money on the desk in the office, and wondered. Where had the money come from? Who left it? How had they gotten into the locked antique shop during the night? And why, if they were going to commit a stealthy B&E, would they leave behind $100?

Life is filled with mysteries, so a few more will hardly tip the balance. Maybe someday the owner would realize the copy of “Pilgrim’s Progress” that had once been in industrialist William Benton’s library was missing from the bookshelves on the second floor, though I doubted it.

When I got home from my unplanned burglary, I put the book on the table next to my reading chair and went into the kitchen to open a bottle of wine. The house’s previous owner had converted a cupboard in the butler’s pantry to a wine closet. There were some interesting bottles there – Chateau Latour, Chateau Margaux, Chateau Lafite-Rothschild, Chateau Haut-Brion – but I was hardly in the mood to intrigue my palate. On the floor sat a wooden crate containing my latest order, a California wine I like to drink with Italian food. I pried off the top with my fingernails. (Possessing a vampire’s preternatural strength has many practical applications.) I brushed away the synthetic packing straw and lifted out a bottle of Ravenswood Zinfandel. The winery’s logo shows three ravens in profile, their claws interlocking, forming a circle.

“Quoth the Raven, ‘Nevermore,’” I said.

The ravens on wine bottle label did not reply.

I opened the bottle and poured myself a glass, then returned to the living room and threw myself into the big leather chair.

I took a taste of wine and looked at the book. It just sat there. Thinking of how it jumped off the shelf at the Olde Curiosity Shoppe the night before, I half expected it to do something dramatic now – flip open, fly about the room declaiming its secrets, anything.

The book just sat there.

The magic had gone out of it. Or maybe the power that had animated it last night had withdrawn. The book was nothing more than … a book, an inanimate object, a tome written in archaic English whose main purpose in the world to inflict pain and suffering on college literature students.

Fortifying myself with another swallow of wine, I picked up the book began to read. It was 303 pages long, so it didn’t take long to read. In fifteen minutes I had read through it twice – three times, counting the quicker perusal I’d given it at the Olde Curiosity Shoppe. If the book had something to tell me, either the person who hid the message had been too clever for me, or else I was too dim-witted to ferret out the message.

I threw the book down and got up to refill my glass. I’d had enough of whatever game Tatiana was playing for the night.

* * *

I slept poorly, haunted by Tatiana and Poe’s Raven. In my restless dreams, Tatiana was the dead Lenore and I was the grieving Poe. The Raven, a ghastly refugee from “Night’s Plutonian shore,” perched on William Benton’s copy of “Pilgrim’s Progress,” croaking “Nevermore!” whenever I tried to get the beast to reveal the book’s secret.

The morning was gray, foggy, depressing, a perfect reflection of my mood. I moped around the house all day. In the afternoon, I sat down at the piano and started to play some Chopin, but my heart wasn’t in it, and I gave up after a few desultory bars of music.

It was nearly dark and beginning to rain when I picked up the book again. I hefted it in my hand and turned quickly toward the fireplace, seized by an impulse to hurl it onto the split oak logs and set the whole mass ablaze. I stopped myself in the course of drawing my arm back to throw. It was astonishing how an old book could seem to mock me.

I opened the book one more time and found myself looking down on the long-dead William Benton’s bookplate. The Sphinx and pyramid briefly glowed with ghostly light and then returned to their former state – dull ink printed on yellowing paper.

It had to have something to do with Freemasonry, I thought, thinking of the Masonic symbols pulsing with fairy light beneath the layers of paint in Hibernian Hall. It had to have something to do with the whispered nexus between the Masons and the Illuminati. A linkage between the two secret societies had long been rumored – though the Vampiri Illuminati was far more hidden from the world than the fraternal lodge.

My ignorance about the Freemasons is, I confess, almost complete, though if what Tatiana said about the Illuminati was true, then I’m equally ignorant of the vampire organization that had expelled me for losing control over the Hunger.

A few moments later found me racing up the street in the Audi, splashing through icy puddles of water, the filthy runoff of rain and melting snow on streets that had been heavily salted and cindered from earlier storms.

* * *

There were no parking spaces close in to Border’s, but then there never are. I parked at the far end of the lot, turned the collar of my trench coat up against the pelting rain, and ran for the front door. As I went in the pleasant aroma of coffee called to me from the café, but there was work to be done.

I went straight to the curved counter in the middle of the store, beneath a sign that saying, “Reader Service.” The woman manning the desk was staring down at a shipping invoice. She didn’t look up.

“What is it?”

I’d been so intent upon the thoughts boiling in my head that I hadn’t really paid attention clerk until she decided to direct her undisguised impatience toward me. She was, on the whole, an attractive young woman, in the manner of the self-consciously bookish, Bohemian types who gravitate towards employment in bookstores and espresso bars. Her brown hair was neatly trimmed so that it fell to the middle of her neck; she wore it tucked behind her ears. She had the kind of glasses that always strike me as being intentionally ugly, as if to contrast with a pretty face. The frames were heavy black plastic, the lenses wider than high, with uplifted corners, like the cat’s eye style popular in the 1950s.

“I’m looking for books on the Freemasons. Would they be with the history books or are they shelved somewhere else?”

She glanced up from her paperwork for the briefest of moments, disdain evident in her eyes.

“You can find everything you’re looking for by using our computerized database,” she said, picking up a pen to make a notation on the invoice. “There are stations located throughout the store.”

She made a dismissive little wave with her pen without looking up at me again, as if to indicate the ample supply of computers to which I could more appropriately address my questions, rather than annoying her when she was busy.

“Thanks for your help,” I said, managing to keep the sarcasm out of my voice.

No response. It was as if I never existed.

I went to the nearest terminal, called up the book-search software, typed in my subject and waited for the response to come up on the screen. I was a little surprised to find that most of the books were located in the section of the store dedicated to the occult.

I spent half an hour there, picking books on the Masons from studies of Tarot and astrology guides. The books were, as a whole, lurid and obsessed with conspiracy and dubious history, covering such topics as Freemasons and the secret identity of Jesus, and plots by the Masons and the Trilateral Commission to rule the world. I learned a few things, but mostly I was exposed to a blast of paranoia, pseudo scholarship, and wild accusation. I wondered how the authors of these books would react to the Illuminati, if they had the slightest clue about their role in the world.

The nagging hunger in the pit of my stomach grew during the time I stood there, inhaling a book’s contents every few minutes. The smell of fresh-roasted coffee in the air didn’t make it any easier to stick to my dubious task. The hunger grew by degrees until at last I had a shock of unpleasant recognition.

It was not hunger, but the Hunger, I was experiencing.

I returned the book I was looking at to its shelf, nauseated by its absurd claims, and my need for blood.

How long had it been? A touring violinist had come to town for recital at one of the local colleges. The accompanist, a lovely Ukrainian, was a fan of mine and had asked the school’s PR people to send me an invitation. After the recital, I took the accompanist to supper. She was an excellent musician and a charming companion. One thing had led to another.

I ran the dates through my head. It had been two weeks to the night when I last quenched the Hunger. Not for the first time I reminded myself that I need to be more careful. If too much time passes, the Hunger become insistent, and that leads to carelessness at best, though far worse was always possible.

Either the Hunger or fate led me, at that exact moment, to look toward the young woman at the Reader Service desk.

I was in a dangerous frame of mind. My brief reunion with Tatiana had shaken me. The business about the book in the Olde Curiosity Shoppe, and my brief survey of popular literature on Freemasonry at the bookstore, had left me feeling frustrated and on the verge of anger. Added to all of that, the Hunger posed a risk, perhaps a danger.

An old woman had walked up to the Reader Service desk. The clerk ignored her.

I thought of the way she had treated me. She had been superior, remote, cold, perfunctory.

What is your name? I thought.

It came to me in a flash, the voice inside my head hers. It said: “Trish.”

* * *

I ordered a triple espresso and sat down. The café was busy, most of the tables occupied, some by people working on laptops, writing, be writers. I’ve never be able to decide whether people who work on books in coffee bars are to be admired or pitied. I need quite to work, and a door I can close and, preferably, lock.

One table at a time, the café’s customers decided they suddenly had other places they’d rather be, helped along by the suggestions I placed telepathically in their minds. When the café cleaned out, the woman behind the counter disappeared into the back room, where she would remain for as long as I wanted her to stay out of sight.

Around the corner, blocked from view from the rest of the store by the café kitchen, was a short hallway leading to a storeroom. I finished my espresso and went there to wait, leaning my back against the wall.

The young woman from Reader Service showed up a few moments later. She looked up at me, a mixture of confusion and embarrassment on her face.

“I hope you found what you were looking for, sir,” she said.

“Yes, thank you, Trish. I just did.”

I took her by the shoulders and spun her around against the wall, burying my teeth in her neck.


Posted by Michael on 01.23.04 @ 05:10 PM CST [link]


Thursday, January 22nd

Withdrawl symptoms


We’re suffering “Sopranos” withdrawls in the Romkey household.

HBO has been re-screening the episodes, but that’s been over for a couple of weeks. Sunday nights are bleak enough without an episode of “The Sopranos.” Each episode is packed with violence, amorality, jealousy, family tension, and seething resentment. The program never fails to cheer me up.

I visited the gangster soap opera’s website this morning for a fix. There’s a blurb on the home page indicating the show cranks up Feb. 16, but the preview trailer says March 7. Normally I’d complain about this kind of bone-headed inconsistency – doesn’t anybody edit these things? – but I don’t want to get whacked, so I’ll keep my mouth shut.

Omerta.

Our other Sunday-night fave is “Six Feet Under.” That show’s website is equally mysterious about when the new season kicks in.

As is HBO’s program-guide data base.

Go figure.

Maybe there should be an episode at the end of the 2004 season where the two programs merge. I’ve been wondering if Tony is going to whack Carmela. (At the end of the last season, Tony was adjusting poorly to Carmela’s demand for a divorce.) It could happen in LA, and the funeral could be held on the “Six Feet Under” set.

Maybe Furio will come back this season, in the final show, and whack Tony so he can consummate his fling with Carmela.

We miss Furio, who disappeared in the middle of the 2003 season. He was nice and evil at the same time, which isn’t an easy thing to pull off. Come to think of it, you can say the same for Tony.

They all would make good vampires.



Posted by Michael on 01.22.04 @ 01:03 PM CST [link]


Tuesday, January 20th

Grateful Dead

Music: Mandolin master-class demo rehersal
Mood: Hungry

anubis1 (2k image)



In the land of the dark, the ship of the sun is driven by the grateful dead.

-- The Egyptian Book of the Dead


Posted by Michael on 01.20.04 @ 05:58 PM CST [link]


Monday, January 19th

The Hunger


If you’ve been following David Parker’s exploits here, you might have noticed that he hasn’t had to drink blood in the six week’s he has been posting journal entries here.

The Hunger is growing in David and by the time this Friday gets here, he will need to do something about it.


Posted by Michael on 01.19.04 @ 12:16 PM CST [link]


Friday, January 16th

David Parker's Journal: 6


The door shut behind me, pulling itself closed with the whoosh of a pneumatic cylinder. Loose glass in the door’s nine rectangular windowpanes rattled. The latch clicked, the bolt sliding into place, locking the public out, and me in.

I looked around the Old Curiosity Shoppe, wondering what I’d been sent there to find. Whoever – whatever – burned down the other antique store had torched the wrong business, Tatiana said. The thing, the mysterious thing she hinted I was supposed to find, was supposedly here, in the Old Curiosity Shoppe.

But what was it? How was I supposed to find it amid the clutter heaped up like treasure, as if old Life magazines and 1940s-vintage Coca-Cola coolers were silver and gold?

Wherever I looked in the Old Curiosity Shoppe I saw junk – valuable antiques to some, junk to me. Every available inch of floor space was filled, leaving only room for claustrophobic aisles that bigger customers would have trouble squeezing through. But the floor was only the first layer on which the subsequent layers were heaped. Beside me was an old dining room table with claw feet; the top of it were piled chairs – not chairs that matched the table, or even each other, but random chairs; on top of some chairs were boxes, on others lamps. Perched on one lamp was an old fedora with a price tag pinned to it. Another lampshade was festooned with campaign buttons from presidential elections in the 1960s and ’70s.

The chaos was almost dizzying. I shut my eyes center, drawing in a long breath. The air was full of bee’s wax, old perfume, turpentine, decaying newspaper, and beneath all else, the accumulated dust of decades, the smell of time past, a fine powder of decay, a patina of grime that penetrated cracks, sifted into fabric in ways that cleaning could never remove.

I forced myself to move through the room. I picked my way carefully, possessed by an irrational idea the mountainous cast offs of dead generations might crash down on my head, trapping me in the Old Curiosity Shoppe.

Not knowing what I was looking for, I employed all my senses, including the ones I gained when I became a vampire. I reached out to read the subtle vibrations and received such a blast of psychic noise that I had to dial back to almost nothing or else be overwhelmed.

If what I was looking for was on the first floor, I didn’t find it, but how could I know for sure? I felt as if Tatiana had sent me on a fool’s errand. There had to be a point to it, but I’d be damned if I could figure out what I was supposed to be looking for.

There was a narrow staircase leading to the second floor. I started up and instantly the fear was upon me. It was as if an invisible pressure was coming at me, driving the air from my lungs.

The man at the top of the stairs was a laborer, from the looks of him, wearing the clothes of another century. He swayed unsteadily back and forth, so drunk he could barely stand. There was madness in his eyes. Looking back behind me, at the bottom of the stairs, a woman in a long cotton housedress, her neck broken. I turned back to her killer, but he had already gone.

I was tempted to turn around and leave, but I continued up the stairs. There were two doors at the top, one to the left, one right. Through the left door, I could see the husband’s ghost, a noose around his neck, swinging from the ceiling. I decided to start in the other room.

My hand went for the light switch, more from habit than need, since eyes could see well enough in the dark. I stopped myself. The police station was only two blocks away, and a light in the second story widow of the Old Curiosity Shoppe after closing hours might draw attention.

I made my way around the aisle left around the room’s perimeter, occasionally bumping into things sticking from the mass of junk. The entire south wall was taken up by a bookshelf. I scanned the spines, finding little of interest. Old encyclopedias, copies of Readers Digest Condensed Books from the 1950s, nothing that seemed like it could be related to the Illuminati. There was a bookshop in town specializing in rare books. No doubt anything valuable turning up at the Old Curiosity Shoppe was resold to Antiquarian Books.

I was turning the corner when I felt a strange tingling in the back of my neck. I spun around, expecting to find someone standing behind me – an apparition, maybe, or even another vampire, since a human would not be able to creep up a vampire unnoticed.

There was nothing there. And yet, I sensed there was … Something was happening. Something odd that I didn’t understand.

There was a small movement at eye level. A mouse, I thought at first, but it was one the of books sliding itself out. I started to take a step forward to examine the phenomenon when the book jumped out in the air, levitate a moment, then dropped straight to the floor, the leather cover slapping the floorboards loud enough to make me jump. The impact of hitting the floor made the cover fall open to the middle of the book.

“Hello,” I said, part nerves, part revelation. It seems the thing I had been sent to find instead had found me.

I picked up the book and scanned the text. The language was archaic English and vaguely familiar. I’d read this book before. I turned the book around in my hands and read the title on the spine: “The Pilgrim’s Progress.”

It came back to me – the summer literature class in college.

I was more confused than ever. Had Tatiana really had sent me to the Old Curiosity Shoppe to find an old copy of John Bunyon’s 17th century religious allegory? What significance could the book have to the Vampiri?

I mentally noted the page the book had fallen open to, then used my thumb to flip through the pages, my eyes sweeping the text, looking for a note, something written in the margins – anything that might have been hidden in the book.

Nothing.

Examination of the outside of the book proved similarly useless. It was just an old book, the leather binding beginning to crack. The edition was printed in 1922. My guess was the book was neither collectable nor valuable.

Inside the front cover I found a bookplate proclaiming that the book was “from the library of William Benton.” The name was familiar. One of suburbs of the city was called Benton. I was vaguely aware that Benton had been an industrialist in the early part of the 1900s. I hadn’t made a point of learning the local history, but you pick up things when you stay in the same place for very long.

The only noteworthy thing was that Benton apparently had been a Freemason. The bookplate was decorated with Masonic symbols. In the upper left corner of the plate was an engraving of they Sphinx, in the opposite corner, a pyramid.

The Sphinx and pyramid began to glow with pulsing light, like the painted-over symbols I had seen in Hiberian Hall.

“My God,” I said, having to will my hands to hold onto the talisman instead of flinging it away.

I had definitely found it – but what was “it,” and what did it mean?



Posted by Michael on 01.16.04 @ 04:35 PM CST [link]


Thursday, January 15th

Galley off the port bow

Mood: The David Grisman Quintet

The American Gothic galleys are done and on their way to New York in the belly of a FedEx jet.

Ahhh…

If I smoked cigarettes, I’d light one now and lie on my back, exhaling blue plumes toward the ceiling.

I hope the book is a big success, because there are things I need to buy … like a custom-made made violin. If you’re susceptible to the romance of fine musical instruments, check out the link below.

Selah.

http://brunkalla.com/BRUNKALLA_VIOLINS_MAIN.html


Posted by Michael on 01.15.04 @ 05:16 PM CST [link]


Wednesday, January 14th

My friend Petra from Novi Zagreb


The winner of this month’s autographed copy of THE VAMPIRE’S VIOLIN is Petra Jurejevcic.

Petra is from Novi Zagreb, Croatia. “New Zagreb” is the capital of Croatia, which used to be part of Yugoslavia. The country is situated south of Hungary, just across the Adriatic from Italy.

It’s gratifying to have readers on the other side of the globe. Petra tells me it’s a whole lot easier visiting this website than it is finding my books in Croatia, but that hasn’t stopped her. So now she’ll have the latest book without having to go to so much trouble. I’ve exchanged a few e-mails with Petra, and enjoyed communicating with her.

Now, back to reading the galleys for AMERICAN GOTHIC…

Selah.


Posted by Michael on 01.14.04 @ 04:51 PM CST [link]


Tuesday, January 13th

The Fool

Music: Grateful Dawg
Mood: Hungry

I wrote 2,000 words yesterday on “Dark Ages” and 1,500 words the day before, so I guess I’m off to the races, unless my editor decides he doesn’t like the premise – humans, vampires and other supernatural beings set at odds in Medieval Britain.

There are a lot of ways to write books. I’m semi-partial to making 40- or 50-part “step outline,” which are used sometimes in screenwriting. But I’m not taking that route this time. I have a fairly good idea where the story goes – and a detailed book proposal – but I’m just going to let it develop organically beyond that, one chapter at a time. Sometimes when I follow a detail plan, there’s a tendency to force things to work the way I imagined they would in the beginning, before I had the fuller sense of the plot and characters that comes after a certain amount of writing.

The first card in a deck of Tarot cards is The Fool, representing, according to Annie Lionnet’s book, “new beginnings, untapped potential, and a fresh start.”

Sounds promising. I’ll be The Fool.

Of course, if you’ve ever seen The Fool card, you know he is pictured as a happy-go-lucky lad and blissfully unaware of either the cliff he is about to step off, or the dog about to bite his leg.

Yes, The Fool: That sounds about right.


Posted by Michael on 01.13.04 @ 11:09 AM CST [link]


Monday, January 12th

All work and no play makes Jack a dull boy...


We’re busy ready galleys for “American Gothic,” which is scheduled for April publication. No matter how far in advance these things get done (or how late), I always end up with galleys that need to be read IMMEDIATELY. Don’t know why that’s the way it is, but it is.

Meanwhile, I got a call late in the afternoon to visit a small music store up on the bluff to check out some handmade mandolins and guitars a builder was bringing in to show while making a delivery on a custom-made instrument. The craftsmanship was exquisite. I resisted the impulse to buy, but I’m thinking about ordering one. The maker has some 100-year-old flame maple...

Posted by Michael on 01.12.04 @ 05:45 PM CST [link]


Friday, January 9th

David Parker's Journal: 5


I must have stood there fully five minutes, trying to will Tatiana to reappear in the darkened room. But she was gone. She came, she left – most painfully for me, she always left – when the spirit moved her. You can never control another person. Not really. And even if you could, I wouldn’t have wanted to. Still, if I possessed the magic to do just one thing, one wish, I would use it to make her come back – and stay.

I fell to brooding.

Why had Tatiana come back now? It was not that I had forgotten her. I could never forget the woman who had given me the Dark Gift. But at least I had gotten to a place in time where she no longer consumed my waking thoughts, and my dreams at night.

I had written an entire opera about Tatiana and her family and their murder by the Communists during the Revolution. Indeed, it was the last piece of music I had written. I completed it six months earlier and hadn’t written a single note since. The score to the opera, lovingly written out in my hand, was fully three inches thick. It sat on a table in the music room, near my piano, two candles on either side of it, and Tatiana’s picture above it on the wall, a shrine to the beloved.

Life’s elemental hopeless came falling back down on me there, standing on the third floor of Hibernian Hall. We never get what we want. And when we do, it never lasts. The few brief happy days we get in life are only a covert way to increase the torture. It’s a glass of water held out to man dying of thirst: You might get a sip or two now and then, but never enough to satisfy your need to drink, only just enough to keep you alive and prolong the agony.

The familiar old black wolf that once hunted me through the streets of Chicago – Depression – again had my throat firmly in its grasp. It bit down, hard. My anguish was so sharp that I almost cried out in despair.

If the Illuminati needed me to do something, or even if they only wanted to warn me, why did they have to send Tatiana? Unless, of course, no one else would come. I had been shunned. I was anathema to the Vampiri. They all hated me, even my old friend Mozart, after the terrible things I’d done, driven by weakness, by my excessive love of pleasure and sensuality, but mainly by the Hunger.

I began down the stairs, thoughts cascading avalanches of self-pity, sorrow, and regret done on my reeling head. I paused and leaned my shoulder against the wall on the verge of weeping.

The building was quiet, perfectly quiet. Even the ghosts in the old Irish social hall were observing me with cold disapproval. What would the dead make of a vampire trembling on the edge of a break down? I was closer to I’d been in years to giving into my own worst cravings, to quench my agony in an orgy of flesh and blood. Did the spirits’ silence mean that even the dead feared me? Or was their silence mere mockery?

A floorboard creeked behind me.

I spun around to look up at a female form. There was never any question it was Tatiana. The woman had a thin, almost consumptive face. She looked down on me from the blackness of the landing above, her hollow eyes burning with anger. She was barefoot, wearing ragged bell-bottom jeans embroidered with a peace symbol, and a tie-dyed T-shirt.

“Be gone, spirit!” I cried.

The apparition vanished.

It was a wonder I didn’t vanish, too. I was no more than a ghost myself, a specter lingering behind on the earth long after my reason for being was gone. The only thing chaining to this mortal coil was the small relief that came when I sat down at my piano, but that was leaving me, too, by degrees, like the last rays of light leeching out of the western sky at the end of day.

I stood outside and looked up and down the street. The sidewalks were deserted. All the better. I was in no mood for temptation. A few blocks toward the river and a few more to the east were a seedy collection of bars, where there were always hookers standing outside, looking to be picked up. I would not go that way but straight home. Perhaps I could exorcise my demons by pounding on the Steinway.

I plunged my hands into the pockets of my jacket and began back the way I’d come. The smell of fire and wet, burned wood was heavy in the air.

What had Tatiana meant when she said the wrong shop had been burned?

I stopped as if encountering an invisible barrier and stared in the window to my left. It was an antique store. There were two on the block, one on either side of the social hall. It was the other that had burned. I peered inside with the same uneasiness I’d felt earlier.

The sign on the door said: The Olde Curiosity Shoppe.

“The entity that burned down the antique store,” Tatiana had said then paused. (Vampires are blessed, and cursed, with total recall.) “It picked the wrong shop.”

The “entity”? What was that about? “It”?

If the wrong shop had burned, it seemed likely whatever “it” had come to destroy could still be found inside the remaining antique store.

On the other side of the glass, the room was filled with a dusty clutter of rocking chairs, lead-glass windows, wooden.

It didn’t make sense to me, but if I was going to figure out what Tatiana was talking about, there was only one thing to do.

I reached for the door latch, focusing my mind to turn the tumblers in the latch until it opened with a flat click.


Posted by Michael on 01.09.04 @ 02:17 PM CST [link]


Thursday, January 8th

What I'm going to do with my summer vacation


It doesn't have anything to do with vampires, but here's where I'm going to spend some time this summer. It's gonna be fun.

http://www.mandolinsymposium.com/

Posted by Michael on 01.08.04 @ 09:55 AM CST [link]


Wednesday, January 7th

The Haunted Farm


Here’s the precise of a story suggested by our 6-year-old last night at supper. In our family, the protagonist of every story about someone who comes to a bad end is named Timmy.

* * *

THE HAUNTED FARM

Timmy inherits an abandoned farmhouse at the end of a deserted lane far, far from the nearest city. The porch is collapsing from dry rot; you’d have to be crazy to try going in through the front door, because you’d plunge through the floorboards when they splintered to pieces. The attic window in front is broken out. Bats fly in and out at sunset.

Inside, the rooms are painted garish colors – lime green, pastel pink. There are cracks in the walls, and the corner windows in some rooms have a diagonal gap between window and frame, evidence of ominous foundation problems.

Exploring the house, Timmy discovers a secret room. Within it, he finds a collection of old mandolins and violins left behind in the otherwise vacant dwelling. The instruments aren’t in cases or sitting on tables but … floating in the air.

Timmy is drawn to one instrument – an old Gibson F-model. The mandolin twists and turns in the shadowy room, seeming to beckon Timmy to take it into his hands.

Though Timmy has never played the mandolin, he discovers he can magically play this instrument. A strange, gypsy kind of music comes out of the mandolin, putting Timmy in a dreamy trance. Gradually, a bizarre urge Timmy can’t quite identify or explain possesses his body.

Later, just before midnight, Timmy’s wife arrives the farm, driving a gold Honda Accord with one headlight burned out. A full moon hangs high over the tumbledown barn, leering down on the scene.

Timmy is waiting for his wife behind the door. He attacks her – and drinks her blood. The music from the bewitched mandolin has turned Timmy into a vampire.

THE END

(Whenever kids make up stories, they always have to say “THE END” at the end.)


Posted by Michael on 01.07.04 @ 02:07 PM CST [link]


Tuesday, January 6th

Dragonpage broadcasts

Music: Beethoven
Mood: Sucked dry of blood

I can think of many horrible ways to torture somebody to death, but force them to sit through a day of back-to-back meetings is far worse than anything I've ever done to anyone in fiction. Even with that rusty coat hanger.

My ... God ... my ... brain ... aches.

* * *

But now for something completely diffent:

My new DragonPage inteview can be heard now through Jan. 11. Go to the DragonPage website -- www.DragonPage.com. There's a lovely blurb about me and my new book (thanks, guys!). Click on the "Find out how to listen" link and find a station and time that suits you. Below is the propaganda from the DragonPage home page:

"Michael returns to the show to talk about his next book due in March of '04, American Gothic. We think vampire novels fit in the Fantasy literature realm, and Michael agrees. This book covers a wide scope of time: from the Civil War to the present. Hey, time flies when you're undead...

"Michael's last book, The Vampire's Violin was recently nominated for the Stoker Award, on par with the Hugo and Nebula... but for horror writers! And keep up with the world of vampires. Michael blogs to his readers online every Friday..."

* * *

I'm reading Stephen King's book "On Writing." It's been out a few years, and my copy has been resting on a basement bookshelf for a while. I'm enjoying it quite a bit. I skipped over most of the first part -- the bio stuff about the writer's formative years as a preschooler, yada yada yada. It's kind of like when you read a Hemingway bio and skip forward until he goes off to drive an ambulance in WWI. If you're a King fanatic, no doubt the early section will interest you. The writing part, where I am at present, is quite good.

I'm also reading "Dawn to Decadence," scouting for more evidence of the apocalypse.

Read any good books lately?

Stay warm,

Michael


Posted by Michael on 01.06.04 @ 05:23 PM CST [link]


Monday, January 5th

Hibernian Hall

Music: Carry The Stones Away
Mood: Back to work

HibHall1 (51k image)

The vampire David Parker visits Hibernian Hall: A place were strange psychic echoes hang in the air...
Posted by Michael on 01.05.04 @ 12:49 PM CST [link]


Friday, January 2nd

David Parker's Journal: 4

Music: A Little Night Music
Mood: In a trance

Tatiana…

The shock of seeing her in the corner of the darkened room staggered me backwards, when what I really wanted to do was run toward her and fling my arms around her.

It is said that upon dying the entirety of your life flashes past your eyes. If that is true, seeing my beloved after so many years was like death for me – sweet death. The angels Memory and Desire drove their fingers deep into my skull and heart and tore them apart, dragging out of the past a host of fractured remembrances.

Tatiana was dressed in the fashion of her time, which is to say the early 1900s. Her dress was black silk that shimmered in the febrile light spilling in through the window from the streetlamp. The skirt reached to the floor; the sleeves were long, the collar high, with one of those pinched-at-the-waste, vest-like tops associated with the Victorian era.

Tatiana was a child of another time. Still, the difference between us in years was insignificant compared to the even greater disparities in our background, experiences, and outlook on the world. She had been born a princess royal in Russia, the youngest daughter of Tsar Nicholas and Emperor Alexandra. While still a very young woman, Grand Duchess Tatiana had been give the Change by the family’s controversial advisor, Rasputin.

Another name from my past – Gregory Rasputin. Popular history would have us believe he was dangerous and subversive, a manipulative leech who attached himself to the weak-minded emperor’s household. Nothing could be farther from the truth. The so-called “mad monk” was in fact a vampire, and a very good one, which explained Rasputin’s famous powers of mesmerism.

History is written by the victorious. What they tell us about their enemies is what they want us to hear and nothing more. Rasputin was no more evil than you (I hope) nor I. The Illuminati summoned him from his hermitage on the steppes and commanded him to try to save the Russian royal family. Of course, much more than a single mortal family was at risk for the Illuminati, famous for their detachment, to have become involved. The wise men in the brotherhood rightly understood that Russia was on the brink of revolution, and that if history unraveled, there would be much blood and chaos, as there is whenever human affairs careen out of control.

Rasputin failed. Even after turning Tatiana Romanov, the most gifted of the Czar’s children, into a Vampiri protégé, he failed.

The Bolsheviks took over the country. The royal family was butchered. (Tatiana and Rasputin survived their supposed murders, but that is another story.) And after the revolution, repression, starvation, a second World War, millions of innocents slaughtered in battle or shipped of to die in the gulags; the world stood with the razor’s edge of nuclear annihilation held to its throat until the Soviet empire collapsed beneath the weight of its own mediocrity.

The fullness of time eventually brought Tatiana, a ballerina in a new life, to Chicago, the town where I was born.

At the time, I was an unhappy young lawyer with an unfaithful wife and an unhealthy affection for cocaine. How perfectly I remember the first time I saw her, a beautiful ballerina dancing alone at night beside a fountain on Lake Shore Drive. Later, as I was about to end my wretched life by hurling myself over a balcony at a concert, she turned around and looked at me, stopping me, saving me.

We fell in love.

The only think keeping me from being blissfully happy was the veil of mystery with which Tatiana surrounded herself. She was obsessive about privacy. It was obvious she had a secret – more than one, I was to discover. When I finally managed to work out who she was, and what she was, I begged her to give me the Change so that we might be together forever.

Against her better judgment, she did.

As it turns out, Tatiana knew better than I. I had trouble learning to control the peculiar urges that came with being a vampire, and an even harder time learning to keep my lusts and appetites in check.

In the end, the differences between us proved to be too much. Tatiana left me. I went into a downward spiral too depressing – and bloody – to detail here. I don’t know how many I killed for the Hunger and to obtain the powerful intoxication we vampires get from blood. I finally had what alcoholics call “a moment of clarity” and regained some measure of self-control … and self-respect. But by then, the Illuminati had cast me out. I was lucky they hadn’t sent someone to put an end to me. If I ever doubted the existence of grace, the fact that the Vampiri did not destroy me proved me wrong.

Tatiana …

I loved her as much as I ever had – which is to say more than life, more even than music, which without Tatiana was my only reason for being.

Now she had come to me, in the city of my self-imposed exile beside the Mississippi River. It was an improbable place for us to be reunited – a yoga school on the third floor of an 1850s Irish social hall, which at some time in its past had been the haunt of Freemasons, those fellow-travelers of the Illuminati.

“I’ve missed you, my beloved,” I said, emotion making my voice shake. I took a step forward, my hands outstretched.

“Stop!”

The sharpness in her voice stung me.

“Alright,” I said, feeling the hope drain out of me. “I supposed I can’t blame you.”

She looked back at me and said nothing.

“Why have you come?”

A green glow illuminated Tatiana’s face from below, as if someone had turned on colored footlights before a darkened stage. Two jets of emerald-colored flames materialized out of the air and began to race around her feet.

I felt a flash of panic. A fire in an old building with only one way out is a frightening prospect, even to a vampire. I’d only just seen the fire-damaged antique store next door.

Tatiana did not take her eyes off me as the flames described a circle around her, leaving her exactly in the middle. Vectors shot across the circle at angles and sketched in a five-pointed star – the classic geometry of pagan sorcery, a pentagram. The fire did not burn the hardwood floor, but hovered an inch above the surface. It was only than that I realized that Tatiana’s feet did not touch the oak floorboards, either.

I have seen many strange things as a vampire, but nothing to compare to Tatiana surrounded by a pentagram of green fire. Vampires are only supernatural creatures in the minds of those who don’t understand there is causality behind us, the same as there is with everything in the universe, and laws governing our behavior.

Perhaps I was dreaming. I bit the inside of my bottom lip and tasted blood. This was no dream.

A low hum grew louder in the room, like an electric transformer about to short circuit, but it was nothing that simple. The audible flow of energy rose and fell as it coursed through its cycles, but it was not the sort of energy that people could trap within copper lines strung between utility poles. The Masonic symbols long painted over in the ceiling, walls and floor began glow with the same weird emerald green light of the flames in the pentagram Tatiana floated above.

“What is going on?”

Tatiana ignored the question. Her hands were at her head, fingers busy. She lowered a veil over her face, a formal, ritualistic gesture.

“You have been shunned by the Illuminati, Dah-veed Parker.”

“That’s not news. Have you come to destroy me?”

She stared back at me.

“What is all this …” I gestured with my arm at the room around me. “… melodrama? We are creatures of reason and art -- at least when we're sane. That is what you, Rasputin and Mozart taught me. A display like this might impress a mortal, but I am a vampire, like you, Tatiana. I know there is no magic in the world beyond the quiet magic of life."

I could see her smile beneath her veil, a smile that gave no comfort.

“Do not show disrespect, David. You never progressed beyond the first degree of initiation in the Illuminati. You have no conception of the mysteries and secrets that exist beyond your understanding.”

“You’ve got to be joking.”

“For tonight, there is only one thing you need to know, Dah-veed.”

“The only thing I want to know is how I can get back with you, Tatiana.”

“The entity that burned down the antique store…”

I waited. I had no idea what she was talking about.

“It picked the wrong store,” she said after a pause.

“What in the hell are you talking about?”

I must have blinked in the course of asking the question, and in the fraction of a second it took to close and open my eyes, Tatiana was gone and with her the rest of it – the levitating pentagram of green fire, the bizarre energy hum, the ghosts of Masonic symbols glowing weirdly from beneath many layers of paint.

My first inclination was to think I’d hallucinated the entire incident. I was going mad, dangerously mad, again.

But then I heard the Blood whispering to me, and I knew.

Tatiana had been there. She’d come for a reason, and it had to be important or she wouldn’t have violated the Illuminati’s shunning of me.

I thought of the pentagram of green fire and shivered.

If I had any hope of being reunited with Tatiana, I needed to act on the visitation, although I had not the slightest idea what any of it meant.

I looked around in the darkness. There were no answers for me there, but only the night.


Posted by Michael on 01.02.04 @ 02:15 PM CST [link]


Thursday, January 1st

New Year's Day

Music: The hum of a refrigerator
Mood: My first cup of coffee

I was going to upload another photo from David Parker’s haunts this morning – Hibernian Hall’s psychic signature by moonlight – but Greymatter always balks when I try to do this from home, using a dial-up. Maybe I’ll go into the office tomorrow, jack into the network, and do it from there.

Resolution No. 1 for the New Year: Get DSL. Or a wireless connection.

The newspaper I work for bought a wireless frequency in an FCC auction a few years ago. Most of our wireless customers are corporate accounts, but we’re looking into whether we can hit my house with the nearest relay tower. We live next to a bike path that runs along a creek deep in a wooded hollow. It’s a pleasant, park-like setting, but not conducive to cell-phone reception from certain providers – Sprint doesn’t work, Nextel does – and so on.

We shall see.

My only planned activity for the day is to drive down to the plantation and make sure the mice aren’t eating the lines on the sailboat. Also, I want to pull the sails out of the cabin and bring them home so we can keep them inside over the winter. Seems to me I saw an ad somewhere for a solar battery that will hook up to my iBook, so I can write while I’m spending time on the boat. That sounds like a good idea, especially since it might allow us to write off our taxes the boat and all related expenses. It’s not a sailboat, you see; it’s a floating office, a writer’s studio that slips silently across the waves on starlit summer nights, driven by the whispers of dreams coming across the darkened water. The United States has some lovely tax laws, if you have a shrewd accountant who knows how to cut all the angles. We do.

We might drive a bit father south today band stop in and see my father. I talked to him on the telephone last night, told him my New Year’s resolution was to start giving huge amounts of cash to my children in 2004, and asked what resolutions he’d made. He failed to take the bait. Alas, he thinks he can take it with him.

We had a quiet New Year’s Eve. We cooked some filets from Omaha Steak that friends sent us for Christmas – if I fall down and start typing gibberish, alert the Mad Cow Squad.

Other than that, that galleys for AMERICAN GOTHIC arrived by Fed Ex yesterday. I’ll be reading those next week and getting them back to the publisher.

Aside to the young writer asking me for help: Email me back the code words MASONIC RITUALS and I’ll assist you.

Selah -- arg -- gak -- #lDRFi$$+==@*$& ... MAD COW!

Michael



Posted by Michael on 01.01.04 @ 09:23 AM CST [link]




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